Assemblage III
Featured work: Airplane sculpture In the new work I have been creating, the word assemblage has been creeping into my vocabulary. So it makes sense that I began reviewing the history of “assemblage” in the arts. Needless to say, I also ran across the word in academia. I shouldn’t be surprised—but I kind of was. AI briefly states that assemblage theory was developed by two Frenchmen—of course—Deleuze and Guattari, and then popularized by Manuel DeLanda. They view assemblage theory as social and material reality as fluid groupings of heterogeneous elements rather than fixed entities. Assemblages are formed by interactions between people, objects, and ideas, creating properties greater than their parts. But artists already knew that. Assemblages are the relational system of things, practices, habits, bodies, concepts, and environments that give rise to an emergent and coherent logic. The first assemblage artists I came across were Louise Nevelson and Robert Rauschenberg. I ask myse...