Creatively Thinking

"Is reality real?" Remember the age old philosophical question?  If a tree falls in the forest and no one hears it fall does it make a sound?  One can extend the question to does the tree exist, does sound exist if no one hears it no one sees it. Well if no one is around to hear it then no one hears it. But that does not mean it doesn’t make a sound.  It is an objective fact that the tree makes a sound.  Just as it is a fact that just because no one sees it it still exists.  It is real.  A tree is a tree, a sound is a sound. I believe that reality does exist within our perceptions.  We can’t make sound anything other than sound, we can’t make an object anything other than an object.  A tree is a tree.  A sound is a sound.  But we can create other things that we can identify as a tree, a sound.  We can make purple trees for example.  And sounds that sound like a falling tree but it isn’t the sound of a real ...

"Galaxy"  by Christine Alfery  22x30 Watercolor  How Do We Know It Is Art? To know something is to have knowledge of something. So how do we know something?  Do we used words, numbers to know something?  Words and numbers can be manipulated to suit desires and needs.  So we may know something that is based on desires and needs but that isn’t a kind of knowledge that can be valued and judged by all as a truth.  How we know something, our knowledge of something needs to be based on facts. Words numbers need not be related to something, they can be arbitrary and based on social conventions.  Facts need to be related to something, visible to all, they cannot be arbitrary.  Words often are based on social conventions.  If knowledge, how we know something, is based on social conventions such as words and numbers then knowledge is arbitrary. Knowledge with this kind of foundation, words and numbers based on social c...

Art needs to be valued.                 What should art be within our culture?  There is no question that there will be many diverse answers to that question.  Some see art as a social tool to manipulate a political agenda, others see it as something mystical that appears out of nowhere and is beautiful, others see art as historical showing the reality of a time.  However you understand or see art, art needs to be questioned as to how it is understood and used.                 Art today illustrates the enormous gulf between what we know, that is what is objective, physical, real and knowable and the mystical, the unknowable, superstition and imaginings.                 Art can be understood, judged, questioned through the knowable.  Art cannot be judged on the unknow...

"Rubies Rider"  Artist Christine Alfery "Mike The Mallard, Flash Gordon, and Jenny Dolls.  What has happened to the concept of "play?'" I was in an antique shop recently, just meandering through the antiques that allowing them to stir up memories from my youth, from my family, from my foundations.  There was a 7” doll that caught my attention wearing a little green gingham dress.  I became convinced that that dolly used to be mine.  I had a doll just like it and a she had a dress just like that one.  I gave all my dolls away during my last move as no one in the family wanted to keep them so it was a wonderful to come across this treasure that I sure used to be mine. I purchased the doll and she now is on my memory shelf.  This shelf is currently with inspirations. Mike the Mallard a ladder climbing fireman resides there.  Flash Gordan in his rocket power flying machine that has wheels that work when you wind up a key, along with an old ...

"The Story"  (Also known as "Trip To The Beach")  Artist Christine Alfery Art and Aesthetics One of the definitions of aesthetics distributed on a video by the J. Paul Getty Museum was the “ah ha” moment.  In the video, there was a classroom instructor who had distributed his teaching materials for the day, which included a glass of water and a small amount of color.  The students were instructed to drop the color in the water and not to speak.  The camera zoomed around to the faces of the students as the color hit the water, the aww was visible on their faces, the fascination held their interest for a long time.  After a couple of minutes, the instructor stated that moment was the aesthetic moment in the arts.  The aesthetic moment is about immediate pleasure and stimulation with the focus being on personal satisfaction, it is a focus on the self.   It is fleeting and not permanent. The aesthetic moment can never r...

"Tightrope"  Artist Christine Alfery Artists stylize reality.  Artists take the metaphysical, something that can never be anything other than  what it is, water is water, flowing water in a creek, trees, trees moving in the wind, sun rising, sun setting are all examples of the metaphysical.  Artists isolate what is important to them and they stress that importance in their work.  Their work is hand-made, their work if it is authentic, stresses the truths, the values the artist hold.  Art can be judged by the authenticity of the artist, the viewer recognizes this authenticity in the work and relates to it in one way or another, positively or negatively. Artists who create work from a subjective state such as I feel, I wish, I believe, these mystical beliefs have nothing for their work to be judged on.  It is impossible, because it is an I feel state and is subjective Should art be judged?  There is really no escape from makin...

"Release Me"  Artist Christine Alfery Acrylic on Canvas - 58x60 Art is a Sense Of Life. Art and aesthetic must be guided by more than emotions and feeling.  Art must be guided by more than, it makes me happy, it makes me feel good.  I say this because if art is just subjective then it has no identity because it can be anything and everything.  For me when I am creating, the goals I attempt to achieve, and they don’t always happen, are to have my work have speak to, relate to my sense of life. Some of the unique, marks I create, that relate to my sense of life and my life experience include, bridges, ropes, ladders, wheels, flying critters, wings and hills as well as smooth and chaotic lines, monochromatic colors, and bold colors. When I step back and look at a finished work I always ask myself, is this work a thing in itself, it is not the same as anything else. Is it unique because I created it, and it is my unique, original style and marks tha...

"All That Jazz"  Artist Christine Alfery                 Is reality nothing more than a narrative? A visual and or linguistic construction that can be controlled and that controls what we say and how we think?  I reality nothing more than words and images?  If reality is nothing more than a visual or linguistic construction than reality is a figment of what we imagine, what we create and what we produce. Reality is then governed, controlled, by and through words and images and how we think, how we know and how we live would then be governed by words and images.                  If this is indeed the case, then those who create and produce are the ones who govern. And the question is no longer what is real but how is what we imagine to be real governed, how are we governed? Historians seem to agree that we are in the process of a change in how th...

"Sunflower"  Artist Christine Alfery A couple of weeks ago I stated that I was again thinking about "what is art?" Tough question and Hedy Mainmann reponded that art is like life. I ask is art really like life? She isn't the only person who has made that statement. It is a simple statement but the complexity of thought behind it has been discussed for many years. If art is life does it imitate life? Just the word imitate causes a problem for me. Without going into huge detail I will just say no imitation - if it is art it is a thing in itself.  Several years ago I wrote a paper on Michel Foucaults statement "Why should the lamp or the house be an art object, but not our life." I agree our life can be an art object as Foucault suggests here - but I disagree than just any lamp, or house can be an art object - not just anything can be "art." Many things can imitate art but not many things can be "art." 

"Figuring It Out"  Artist Christine Alfery Watercolor and Acrylic on Paper. Wassily Kandinsky continued. How to Be an Artist, According to Wassily Kandinsky For the past three posts I have been making comments on an ARTSY EDITORIAL BY RACHEL LEBOWITZ JUN 12TH, 2017 7:07 PM. This is post 4 on "How to Be an Artist, According to Wassily Kandinsky." Lesson #4 Inject rhythm into your painting, like a musical score. It makes sense that Kandinsky would link rhythm to his work. His lines and mark making are very gestural. And it makes sense that Kandinsky would say as he did in #1 that art expresses the inner world of the artist, and not artistic trends, and in #2 where he states that an artist should not paint things, but paint in abstract form. Kandinsky was an abstract expressionist.  Again though I return to the concept of the abstraction. A materialist would conclude that the concept of the abstraction or abstract art is a frill, an indulgen...

How to Be an Artist, According to Wassily Kandinsky ARTSY EDITORIAL BY RACHEL LEBOWITZ JUN 12TH, 2017 7:07 PM   Lesson #2. Don’t paint things. Paint in abstract form.                 Don’t paint things, but rather paint in abstract form, the editorial by Rachel Lebonwitz went on to say, “Monet’s now -iconic haystacks were an early influence on Kandinsky, who was struck by his own inability to identify the real world objects that the forms referenced. At first taken aback by this disconnect,” which I must admit I too have been taken aback, “Kandinsky soon embraced its possibilities, eventually insisting upon art that was not only abstracted but entirely non-representational.” And again Rachel Lebonwitz refers to the artists interior world, as if that world was an abstract form, that perhaps is “simplier” or different than the real world. Perhaps more imaginary and "non-repres...

There are five lessons here from Kandinsky - I will just comment on one today. "Kandinsky did not intend for his theories to be prescriptive. Artmaking, he insisted, was about freedom. Nevertheless, there are several lessons that artists should heed if they are to meet Kandinsky’s requirements. We start with five below." https://www.artsy.net/article/artsy-editorial-artist-kandinsky Lesson #1: Express your inner world, not the latest artistic trends. I totally agree that artmaking is about freedom. Two points - here the concept of freedom - if art is about a collective freedom then it isn't about the artists inner world? I think the point here is that the artist, does not have the power to create entities out of a void, the inner self being a void as the inner self is only interesting to the inner self and very subjective. This subjectivity makes art everything and anythings. In order to entertain the notion of freedom along with the self the notion of freedom n...

When I begin working in the visual space of abstraction where imaginaries and concepts are floating around, I attempt to create a visual space where my free will makes choices as to what I want to see and what I want others to see.  That is where my training comes in, I have learned how to help others visually read the imaginaries, the concepts that float around in that abstract visual space. These concepts are real – a beautiful reality, they are objective, so others can see them also. They are not nonobjective. This for me is the struggle when I come to a blank white sheet of paper, to look for and emphasize in my work those concepts for which I believe in – independence, individuality and freedom and hope that others can see them also.  This is the challenge of my work.  These are the subjects in my work. The piece I recently finished.  “Tightrope” Which is part of my Precious Jewels series.  Let me know if you can visualize, independence, individuality and...

My current thinking seems to be asking the age old question,  "What is art?"  I don't know why I say my current thinking. I have been asking that question ever since post modernism with all of its relativity. Not only has art become part of the postmodern movement, it has also become less precious. It seems that everyone accepts comments such as "anyone can make art" and "it's all about your own personal interpretation or how one sees things."  I believe art, aesthetics, are all about personal interpretation. That does not make art relative and subjective. How can I say that? Everyone is unique and all “art” is unique.  If an object is not unique, original, and one-of-a-kind, then it isn’t art.  The idea, the concept and their uniqueness is art.   Just like one person is unique to themselves and to their own individuality, “art” is unique to itself and its own individuality.  It does not depend on collective thinking.   NOT everyone’s i...