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IntersectionsErased Painting
Gen Z
Ever since I realized that if I wanted to be an artist, I needed to find a way to support my artwork, I realized that it was going to be a very, very hard job. And to add to that, to find the kind of work I needed to support—contemporary, abstract, conceptual—I don’t think I could have chosen a more difficult job on the planet. Nope.
When I went off to college, my parents kept drilling into me, “You can’t major in art.” Well, I did. And just for a safety net, I took a second major, education, to support my “love” of art. Being a teacher was good. I was good at teaching. The trouble is, I was good at teaching. Back then there were no art classrooms; it was art in the trunk of my car and art on a cart, and it was hard. And many times, I was too tired to make something of my own, but I did. I did “art fairs” on the weekends. And so I supported my love, my strong need to CREATE.
I WAS A CREATIVE FROM KINDERGARTEN TO THIS DAY. I have always believed it was my calling, that God’s Spirit was in me calling me. Oh, I have fallen off the wagon many times—He knows. One time for over 2 years. But He keeps calling. And I have heard other creatives say the same thing. There must be something to this spirit within that we cannot see.
Yesterday, there wasn’t one person who stepped into my gallery/studio during the Northwoods Art Tour, not one—and I kid you not—even the ones who knew nothing about contemporary, abstract, conceptual artwork—who didn’t say, “I just love your work; you are so inspirational; you make me so happy.” NOT ONE. Were they saying that to me? No, they were saying that to the Spirit within.
Thank you, Spirit within. Thank you, beautiful people who know and love creatives. For our culture needs them more than ever now, and our culture is losing them quickly. I am finding the shift from 9-to-5 jobs to Gen Z culture a very interesting shift and a difficult conceptual shift for many. But if you follow history on a linear path—which many like to think of themselves as historians—I myself think of myself as a closet historian—they are a product, yes, a product, of what they were taught.
I take what I was taught, and I am a glorious mixture of contemporary, conceptual abstractionism, and a 9-to-5er. I, with all my heart, believe in what the Gen Zers believe—entrepreneurship, creative ventures. Where we differ is in individualism and uniqueness, that extremely, extremely important element in abstract expressionism that gets erased—like the painting by de Kooning erased by Robert Rauschenberg—where the act itself was the creative act.