Assemblage III

 


Featured work: Airplane sculpture

In the new work I have been creating, the word assemblage has been creeping into my vocabulary. So it makes sense that I began reviewing the history of “assemblage” in the arts. Needless to say, I also ran across the word in academia. I shouldn’t be surprised—but I kind of was.

AI briefly states that assemblage theory was developed by two Frenchmen—of course—Deleuze and Guattari, and then popularized by Manuel DeLanda. They view assemblage theory as social and material reality as fluid groupings of heterogeneous elements rather than fixed entities. Assemblages are formed by interactions between people, objects, and ideas, creating properties greater than their parts.

But artists already knew that. Assemblages are the relational system of things, practices, habits, bodies, concepts, and environments that give rise to an emergent and coherent logic. The first assemblage artists I came across were Louise Nevelson and Robert Rauschenberg. I ask myself, why did it take me so long to return to this fun form of art? Basically, I like the idea of repurposing manufactured things and creating two- and three-dimensional pieces of art with them. I find myself smiling as I work.

I am happy to give tours of my studio if you call ahead and make sure I am around. Blessings for the weekend.

— C 

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